-
Song Review: Deja Vu – TXT
Deja Vu is an excellent track held back from questionable production choices not present within the rest of TXT’s title tracks.
-
Song Review: LIKE THAT – BABYMONSTER
LIKE THAT’s undercooked production hinders its catchy melodies and BABYMONSTER’s convincing vocal delivery from achieving greater effect.
-
Song Review: Shooting Star – Kep1er
‘Shooting Star’, set to be Kep1er’s disbandment song, ends their run as a 9-member group in an all-time high, delivering one of the best K-pop title tracks of 2024.
-
Song Review: WORK – ATEEZ
Work is a mediocre track from ATEEZ, a group who is capable of much more compelling and dynamically interesting tracks.
-
Song Review: Smart – LE SSERAFIM
‘Smart’ is superior to ‘EASY’, with its melodies being some of the catchiest within K-pop as of the moment. However, I know that LE SSERAFIM are capable of so much more than this.
-
Song Review: EASY – LE SSERAFIM
‘EASY’ suffers from a production that is neither innovative nor compelling enough to fully sell the song fully.
-
Song Review: Armageddon – aespa
‘Armageddon’, at least in the initial listens, does not eclipse ‘Supernova’. Nevertheless, it is definitely worth a listen especially for the sensory assault its top-tier production provides.
-
Song Review: How Sweet – NewJeans
NewJeans’ latest single ‘How Sweet’ maintains the downward trend of their musical quality that has since never matched the likes of ‘Attention’, ‘Hypeboy’ and ‘Ditto’.
-
Revisiting K-pop Debuts: Given-Taken – ENHYPEN
ENHYPEN’s “Given-Taken”, 3 years after its release, in my most humble opinion, has managed to remain among the pinnacle of K-pop debuts. Dive into why as I kick off a new series of posts where I revisit K-pop debuts.
-
Song Review: Lucky Girl Syndrome – ILLIT
‘Lucky Girl Syndrome’ is a great example of a short K-pop song done right.
-
Subscribe
Subscribed
Already have a WordPress.com account? Log in now.
K-pop Evaluated 